Transformation of a sport antihero on screen

Authors

DOI:

https://doi.org/10.61827/fp2024a13

Keywords:

antihero, sports movies , TV series, Raging Bull, The Wrestler, Queen’s Gambit

Abstract

This article strives to follow through the transformation of sports antiheroes on screen. The material selected for analysis consists of three titles exploring and challenging a sports antihero (or antiheroine) given social and cultural circumstances, common stereotypes about their respective disciplines, gender expectations and the portrayal of athletic failure: a canonic biopic Raging Bull (1980) telling a story of a troubled boxer Jake La Motta, Daren Aronofsky’s story of a distorted and decayed image of masculinity, The Wrestler, and a recent hit Netflix show Queen’s Gambit on a genius chess player Elizabeth Harmon. I argue that the persona of a sports antihero on screen undergoes a thorough change; from flawed and brutal La Motta to troubled, yet intriguing and inspiring, Harmon.

Downloads

Download data is not yet available.

Author Biography

  • Paulina Korzeniewska, Institute of Neophilology, University of Zielona Góra

    Dr., employee of the Institute of Neophilology at the University of Zielona Góra. Her research interests revolve around the portrayal of sports in literature and film, American poetry of the 20th century, and biography studies.

References

Korzeniewska P., Transformacja antybohatera w kinie sportowym, „Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego” 2024, nr 10, https://doi.org/10.61827/fp2024a13.

Brody R., https://www.newyorker.com/culture/the-front-row/revisiting-the-violence-and-style-of-martin-scorseses-raging-bull.

Januszkiewicz M., W horyzoncie nowoczesności: antybohater jako pojęcie antropologii literatury, „Teksty Drugie” 2010, nr 3.

Korzeniewska P., American Poverty and Social Rejection in Craig Gillespie’s I, Tonya, „The European Journal of Life Writing” 2021, vol. X.

Loeb McClain D., https://www.nytimes.com/2020/11/10/arts/television/queens-gambit-women-chess.html.

Neimnah S., The Anti-Hero in Modernist Fiction: From Irony to Cultural Renewal, „Mosaic: An Interdisciplinary Critical Journal” 2013, nr 46, 4.

Newhall Rademacher V., Contrarians at the Gate: Biofiction, the Anti-Biopic, and I, Tonya, [w:] Biofiction and Writers’ Afterlives, Newcastle upon Tyne 2020.

Simmons D., The Rebel with a Cause? The Anti-Heroic Figure in American Fiction of the 1960s, [w:] The Anti-Hero in the American Novel, Londyn 2008.

Spangler T., https://variety.com/2020/digital/news/queens-gambit-netflix-viewing-record-1234838090.

Gambit królowej, 2020. Reż. Schott Frank. Prod. Flitcraft Ltd., Wonderful Films.

Wściekły Byk, 1980. Reż. Martin Scorsese. Prod. United Artists.

Zapaśnik, 2008. Reż. Darren Aronofsky. Prod. Fox Searchlight Pictures.

Downloads

Published

2024-12-30

How to Cite

Korzeniewska, Paulina. “Transformation of a Sport Antihero on Screen”. Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego, vol. 10, Dec. 2024, pp. 335-43, https://doi.org/10.61827/fp2024a13.

Similar Articles

1-10 of 126

You may also start an advanced similarity search for this article.